Paul Shampine Art Blog
by paulshampine , March 19, 2011—10:00 AM
Nancy Jaffee, Weston CT, http://www.nancyjaffee.com/
When did you first discover your creative talents?
I didn't really know I had any artistic talents until I was an adult. But my mother was artistic. She worked as a clothing designer and a decorator and I always appreciated the way she put colors together in her work. My sister used me as a guinea pig in grad school for her PHD in Psychology. And after taking all her tests, she said I should pursue a career in the arts but I never really did anything about it. It wasn__™t until I was in my 30's that I started taking formal art classes and realized this was truly something I wanted to do for the rest of my life.
Some visual artists describe crossing a threshold where they see new colors, shapes, forms, shadows and movement. Did youexperience this kind of artistic "awakening?"
It happen at The Rye Arts Center. When the teacher was explaining how to convert three dimensional space onto a two dimensional page she taught us about foreshortening, cast shadows, reflected light, modeling...volume. It was eye-opening for me because it all worked. It was like unlocking a door and learning how to see.
For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold.
My first sale was to my neighbor. It was a sketch from a life drawing class. Just a quick one minute pose. But she liked it, had it framed and hung it in her living room. She had a lot of beautiful art that she collected, so I felt honored to have my little throw away amongst her really nice paintings. I think I charged her $20 for the sketch.
Who are your favorite artists?
My favorite artists... long list... but I would start with Michelangelo... I was lucky enough to travel to Europe several times as a child and was exposed to some of the most beautiful masterpieces of the world. But the David really blew me away. I love Whistler, JS Sargent, Cezanne, Modigliani, Matisse, Picasso (especially his blue period), Egon Schiele, Munch (the Storm is my favorite), Clyfford Still, Milton Avery, Jim Dine... too many to mention.
Do you "see" your paintings before you create it or is it a work-in-progress?
I often start out with an idea for a nude or something representational. But the abstract pieces are more works in progress. I usually try to start with a palette and work from there.
When a painting takes on a mood....say a dark one. Do you feel like you need to exist in that mood to continue with the painting? When I__™m focused on painting, I want to create something evocative and interesting and I__™m just trying to do that. What__™s so cathartic about painting is that it takes you out of your own head while you__™re doing it. It can also give you an outlet to express what__™s inside you. I think the emotions come first and then the painting.
I think my outlook is naturally somewhat dark. I see people as alone, my figures are always alone, they sometimes seem isolated. I think a heavily clouded sky is more interesting and than a bright blue clear one. My least favorite paintings are ___Spring___ and ___Painted Flowers___ in terms of their content and color. I was experimenting more with technique on those, using a calligraphy pen in the first and a palette knife in the latter.
You mentioned that you like Picasso...specifically his blue period. Some feel that his blue period was a reflection of depression, while others say blue paint was cheaper and he couldn't afford other colors at that time. What do you think?
I like his blue period because it seems more compassionate than his later work. Like the famous painting of the woman with the iron. She's exhausted, endlessly working, overwrought, poor. She__™s not glib or superficial. Looking at her evokes powerful emotions. The painting has soul.
In general though, if you ask most people what their favorite color is, they say blue. Blue is rich and soothing. It can also be considered sad as in a blue motel room or a blue mood. But art is in the eye of the viewer. It__™s highly subjective. I think the artist may have one thing in mind and the viewer something entirely different and both are equally valid.
Is there a particular painting of yours that evoked polar views or moods from a viewer? If so, which one and describe what they "saw."
This is a funny story. A friend of mine on Facebook saw my male nude who is masturbating in the painting, and thought it was a woman. To be fair, he was looking at it on his phone, so it was only 3" big. Mainly in my drawings people have experienced the nudes as sad when I just felt they were relaxed, neither happy nor sad. Some people try to understand literally what I__™ve painted as in ___Escape.___ Like what exactly am I depicting? Are there mountains in the foreground? Is that a lake beneath them? Others will just see it as a seascape and not wonder about the realism of the specific shapes. I can't really think of any that have evoked polar reactions from different people except that some will love a piece while others aren't impressed at all.
I'm also a fan of Sargent. My favorite Sargent piece (El Jaleo) is in one of my favorite Museums...the Isabella Stewart Gardner Museum in Boston. It's one of those paintings that you have to see up-close-and-personal. Do you have a "must see" that you re-visit or moved you when you viewed the original?
I was really moved by Whistler's ___Mother.___ When I saw it, I couldn't stop looking at it. The mood was so compelling, the gray on gray, the contrast of white on black, the quiet stillness of the subject almost trancelike. Sargent's work is just so elegant and beautiful. One of his paintings that impressed me the most is in a permanent collection at a museum in Scotland and it__™s titled, ___The Lady Agnew___. She is seated and dressed in white. The skin tones are flawlessly smooth and the eyes seem as though they are laughing. I also love the painting ___Madame X___ at the Metropolitan Museum in NYC.
Having grown up in NYC, my favorite museums are the Metropolitan and the Museum of Modern Art. It__™s always a pleasure to spend an afternoon there rediscovering my favorite masterpieces. I recently discovered the work of Clyfford Still and his work has had an influence on several of my most recent pieces.
What advice would you give to an artist just starting out?
Well, since I too consider myself an artist just starting out, I can only offer what I say to myself. Try to be the best that you can be. Compete only with yourself. While there will always be someone out there that you find more talented or more accomplished then you don't let that discourage you. There is room for all of our artistic expressions. Just enjoy the process and remember that the nature of creation is creativity itself.