by art_in_history , July 13, 2009—12:00 AM
Topics: Abstraction, Aesthetic Attitude, Art History, Chardin, Gauguin, Kandinsky, Monet, Rembrandt, art, courbet, manet, pollock
In my last post, I promised to put out some additional posts on the major trends which led up to the phenomenon of Modern Art. One of these was a new way of looking at paintings, one which isolated the aesthetic qualities of the work and appreciated them independent of the subject matter.
In 2000 I did an article called "The Aesthetic Attitude" in which I looked at this phenomenon, and I will include a big chunk of that post here:
[QUOTE]One of the most fascinating of the developments that occurred during the 18th century was the recognition of an independent aesthetic attitude toward art, and indeed toward the world. Of course, this is not the first appearance of such an attitude in mankind's artistic history; far from it…
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by art_in_history , July 2, 2009—12:00 AM
Topics: Abstraction, Art History, Colorism, Delacroix, History, Ingres, Kandinsky, Minimalism, Mondriaan, Picasso, expressionism
The moment at the beginning of the 20th century when artists made the lead to pure non-representational art is a fascinating one. It is the culmination of a number of trends over the previous 100-200 years, each interesting in itself, and together creating a uniquely self-aware moment in art.
First, I would like to register my complaint about the term "abstract", which has come to be applied indiscriminately to non-representational art. The term describes very well the process which led up to the leap, but is misleading when applied to "pure abstraction". Abstraction implies a process of generalizing and simplifying from the specific; it presumes a reality from which essentials are being drawn…
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