by art_in_history , July 2, 2009—12:00 AM
Topics: Abstraction, Art History, Colorism, Delacroix, History, Ingres, Kandinsky, Minimalism, Mondriaan, Picasso, expressionism
The moment at the beginning of the 20th century when artists made the lead to pure non-representational art is a fascinating one. It is the culmination of a number of trends over the previous 100-200 years, each interesting in itself, and together creating a uniquely self-aware moment in art.
First, I would like to register my complaint about the term "abstract", which has come to be applied indiscriminately to non-representational art. The term describes very well the process which led up to the leap, but is misleading when applied to "pure abstraction". Abstraction implies a process of generalizing and simplifying from the specific; it presumes a reality from which essentials are being drawn…
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So at last I am getting to Delacroix, as promised several weeks ago. Though in fact, I am going to feature Delacroix and his great rival Ingres, inheritor of the Mantle of David as the defender of classical orthodoxy. As I've said before, I think the art of this period is vastly enriched by its context in history, both social and aesthetic.
I've called the period the "second French revolution"; in fact, in Paris at least, it was a period of continual upheaval. The Parisian populace took to the streets at the least provocation, tearing up the coblestones and bringing the city to a halt. Delacroix's "Liberty Leading the people" marks the major uprising in 1830. In fact, so ungovernable was the city that in mid century Housmann was commissioned to build the great Parisian avenues..…
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