Art In History Art Blog
Peter Barnett
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Levels of Meaning in Art
by art_in_history , February 2, 2010—12:00 AM
Back in my days as a student of Architecture, I read with interest the writings of Charles Jencks on Le Corbusier, one of the giants of the modern movement in the 20th century. In advocating for the greatness of Le Corbusier, Jencks did someting much more ambitious: he propounded a theory of value to be applied to all art, based on multiple levels of meaning. All works of art, he says, fall somewhere on a spectrum from "Univalence" (single-leveled) to "multivalence" (multileveled), and truly great works are always multivalent.
He compares in detail Le Corbusier's apartment block in Marseilles, the "Unite d'Habitation", with a contemporary church design (of which I could find no image) in the form of a cross of thorns…
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