About Art
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I went to the Louvre some time ago, that fancy art museum in Paris. The details are sketchy now but I remember my wife Elizabeth and I walked along Les Tuileries past a giant Ferris wheel and a gold statue of Joan of Arc. Not to be all touristy, we went past the big glass pyramid at the Louvre and in the side street entrance.
I was on a mission to see just one painting: Jacque Louis David's "Oath of the Horatii." I'd seen it in a picture book and even did a sketch, but aside from that painting I didn't care about anything else except avoiding crowds. I didn't need to see Venus or Victory or Liberty - and certainly not the Mona Lisa. No maps, no guides, no headphones. And no Mona. That would be typical. I'd hate to be typical. I don't run with the pack. I'm a contrarian…
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Art is aesthetic like humor is funny. It's the precarious balance of details that we appreciate. Both art and humor are illusions that often require a suspension of one's beliefs, but sometimes our expectations don't jive with reality. Art happens when things go right and humor happens when things go wrong.
There two types of humor: poetic and practical. Practical humor is when there's a glitch in the medium, as in the semantics of a joke like the one about the skunk that went to church and sat in his own "pew." (Think "pee-yew!")
Linguist Noam Chomsky devised the following sentence:
"Colorless green ideas sleep furiously."
It shows that good grammar and syntax do not necessarily make good sense. In abstract art, such empty symbols are called "significant forms…
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When things go wrong and Palette knife painting.
I took me a long time to start dealing with anything that was artistic after my children were born. There was always something else to do. I seemed to have lost the ability to concentrate on anything but my family for a while. Even reading was impossible, as I could never relax enough to grab a book for at least 15 minutes. When my kids both started going to school (relief!) I investigated the local Community Arts Center, and discovered that they were offering a colored pencil drawing class. As when I was in Art school, attention to details was de rigueur, I decided that colored pencils were going to be for me. And indeed, for several years, they were. I relished in the meditation that the most tedious details drive you to…
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The Art World is Elliptical
www.garypetersonart.com/wiselink.html for full diagram.
An artist interprets objects for the viewer but something always gets lost, added, or changed in translation. Art seldom takes the direct route from object to subject. Distortion increases as the path deviates. Call it "artistic expression."
Three-way relationships are algebraic, so I've based a schematic of visual perception on the ellipse with the object and subject being at either focus. To give the artist equal weight in the equation, an equilateral triangle dictates the height. Note that the term "object" also means "referent," but becomes "concept" in the case of abstract art.
This elliptical boundary separates the aesthetic from prosthetic: fine art from eye candy…
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I have become very interested lately in letterforms as abstract symbols. The workhorses of language, they often go unappreciated as design elements and beautiful shapes unto themselves. As recognizable shapes that represent language our brain needs them to mean something. When they are unfamiliar forms that do not represent a concept to us, they become more of a design, as in Asian calligraphy. The hairpins remind me of the arches in m's and n's…
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This is one of those pieces that started out in my head much differently. I just happen to have a black cat with crazy whiskers just like Jack's and he often has one eye open when he's meditating and doesn't want to miss anything. After tons of sketches and variations, I was satisfied with the cat shape and the paper combinations... and there it sat, for months. I would walk by it in my studio and ask "What do you need?"(cat got your tongue?) sorry, bad pun. When I got together with my PQ friends they would groan "Are you still working on that?" It just wasn't coming together. The space on the left of the cat was longing for something, a tree, a mouse hole, a window, a door? Oh what the heck, let's try mice…
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I was reading Deb Ward's blog about making resolutions to challenge yourself artistically and it really resonated with something I have been thinking about lately. I read a lot of artist's bios that describe themselves as "self taught" which is fine, you can learn a great deal on your own especially if you have the discipline to look, read and practice. Whether you are self taught, art school trained, have a post graduate degree or are internationally famous, it's still a great skill sharpener to take a class. Any class. Everything is related. I am primarily a paper and calligraphic artist and one gift I give myself every now and again is a drawing class. I am so NOT a painter but a watercolor painting class taught me a great deal about surfaces, tools and humility…
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Many creative people experience a lull in their work. Writer's block, painter's block, whatever name you give it, the feeling of being uninspired is disturbing especially when it continues for an uncomfortable amount of time.
I hear many artists sheepishly admit, "I haven't done a thing since I saw you last." or "I used to paint but raising a family, a house and a job just doesn't leave me any time."
It's OK.
Our creative life is a well. Full sometimes and low another. A great outpouring of creativity will sometimes leave the well dry. What a gift! Now is the time to fill up your well. Fill your brain with images and color combinations, compositions and concepts. The more frustrated we become, the more we block that which can inspire us…
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I recently read the article in The New Statesman "Too Much Information" about the current installation at the Tate Museum entitled "Shibboleth" by the Colombian artist Doris Salcedo. Shibboleth is a large, open crack in the cement floor of the Tate resembling lightening or a fissure in the earth one can imagine encountering during an earthquake. I haven't seen it in person, but from the picture I can imagine I would like it. I like conceptual art in general and would appreciate contemplating the possible meanings or connections this installation might elicit.
However, Alice O'Keefe, author of the article "Too Much Information", has an interesting complaint with Shibboleth:its title and the explanations both the artist and the Tate give to viewers about the piece…
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Contemporary Glass Artist, Josh Simpson
Natural glass forms when specific kinds of rocks melt as they are exposed to extremely meteor hits the earth. Once cool, the liquid rock solidifies. This phenomenon has been happening since the beginning of time. Primitive human beings are said to have used glass made of obsidian and tektites (naturally formed glass, volcanic or extraterrestrial in origin) as cutting tools. Ancient Romans discovered glass when cooking in the sand. The intense heat of the fire melted nitrate blocks which were used as a resting place for cook pots. The blocks melted and mixed with the sand underneath them to form an opaque liquid, known today as glass. Soon people began experimenting with this substance and a craft was formed…
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Hello out there! I am a plein-aire painter and teacher, and what I most want to do with my new blog is to pass on the tips and techniques which I have shared with my students in the past. This cannot be a substitute for the interaction with a teacher as you work, but particularly for artists with previous experience I hope it can be helpful, and will start some fun conversations.
This is the first of many posts in this category. In it I want to define what plein-aire painting is for me. In the broadest sense, plain-aire painting means working out of the studio, in front of your subject. However, this can be done in many ways, notably as preparation for a later finished work done indors, or as a finished work in itself…
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I'd just like to say at the outset, that the word "Blog" is one of the ugliest words to come on the cyber-speak scene. Therefore, I am using the term "MyLog" instead. In the coming months I will bore you with my un-asked for opinion on a variety of subjects, answer questions if there are any, and tell some funny stories. More than likely it will be of interest to only me. If someone posts a mylog and no one reads it, does it make a sound?
I have kept a written journal since I was 17 and sure my life was over. That was a lot of years and volume upon volume of self indulgent crap, ago. I like the sheer act of writing,the sound of the pen conversing with the paper, the movement and the quiet. My journals remind me of how I felt that day, that hour, in that circumstance…
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By Kathryn Good-Schiff
If I had kids, this is one of those stories I'd tell them dozens of times, until they rolled their eyes: I had an art teacher and he changed my life. He turned my ideas of color inside out, and my ideas of subject matter upside down. He took my art history class on a field trip to a junkyard. He showed slides of graffiti he'd found inside abandoned buildings. He taught at my small private school for four years, long enough to shock some parents and just long enough to affect me forever.…
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"Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise there of; or abridging the freedom of speech, or of the press; or the right of the people to peaceably assemble, and to petition the Government for a redress of grievances." --First Amendment of the U.S. Constitution …
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Sunday, February 06, 2005
Aside from its visual charms, the beauty part of the exhibition at William Baczek Fine Arts http://www.wbfinearts.com is the overview it gives to that category known as still life. Some paintings achieve trompe l'oeil realism; a few walk the edge between illusion and abstraction.
Some incorporate symbolic reference; others celebrate technical virtuosity. Humor, irony, grace all are there. So is the agreeable pleasure that derives from art both well made and intelligent. …
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Landscape painting in the netherlands in the 17th century is fascinating for many things, but certainly one of them is the balance between man and nature. With the well-known exception of some of the work of Jacob van Ruisdael, there are almost no landscapes in which man and his artifacts do not play a significant part. This makes sense: the Netherlands had long been a fully inhabited land with few areas of true wilderness. On the other hand, it is a land of endless sweep of land and sea, dominated by a vast and everchanging sky. In such a landscape, man and his works may be present, but they are always in danger of getting lost in the vastness of their surroundings…
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In a time when our culture is consciously trying to focus on the strengths and the beauty of black traditions, historical and contemporary, it is interesting to note that at certain times and places in our cultural history black was definitely beautiful. Since these moments coexisted with the institution of black slavery, it is hard to be very proud of them. But they do shed light on the conflicted attitudes toward blacks in a largely white European culture.
The Spanish artist Velazquez, unquestionably one of the great portrait painters of all time, did several of his finest portraits of black subjects. The work shown here, of Juan de Pareja, is probably one of his best…
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One of the fundamental shifts which marks the movement out of the middle ages and into the Renaissance was the humanization of religion, clearly seen in the changes in religious imagery from the 12th to the 17th century. It is seen first in the cult of the Virgin that swept Europe during the late middle ages, replacing images of the terrible Christ in judgement with images of the Madonna and Child. The Virgin Mary was seen as an intercessor between humankind and her son, a human face with a sympathetic ear. Thus, by the time of the flowering of Renaissance humanism, a vast change in attitudes was already well under way.
There is no way that two images can give you the richness of the evolution in religious imagery…
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