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I have had what I hope is an epiphany. That is to say, I hope I don't move back into the cave of my own reticence and fear. Please bear with me here, my mind is running in two circles. I am 52. I became a grandmother for the first time last December and the second time in January

Whether it is the fleeting movement of the model, or the transient scene that I glimpse out of the corner of my eye, it is the unexpected that makes my day. Twenty years ago, while painting on the Caribbean island of St Lucia, I interrupted an overly laboured seascape to scribble down this sketch

Mysterious? Do you see two faces or do you see something else. Is one of them reaching out to something, or someone. The colors are very subtle, pale blues, lavenders, pinks, and grays

In a fleeting glance, I saw the pose I wanted and picked up the first scrap of paper that came to hand - a white cartridge that is sold in the local supermarket at less than one EC$ for a A1 size sheet. The six-inch square I used cannot have cost more than five cents

You are invited to Vinoy Park in downtown St Petersburg, Fl this weekend for the Mainsail Art Festival. We hope you can come out and spend part of your weekend with us. We will have several new paintings in the booth including the one shown here. this is "let it be",and it is a 48"_48" original watercolor on canvas

This drawing started out to be about wind windblown hair. Who is the ultimate representative of long, lovely hair--Rapunzel, of course, at least in the world of fairy tale. Because I have a sense of humor, and because every good tale deserves a variation "Rapunzel's Bad Hair Day" came into being

"Models of both sexes and all ages, shapes and sizes are urgently required for paintings and sculptures..." The above is from an advertisement that I run in my local on-line newspaper. Occasionally, I land a catch. More often, I see a potential model in passing. I then have to pluck up courage to ask..

The incredibly helpful people who run ArtID have retrieved my old account for me, which has been unused for some considerable time on this site. So, I am back, but that in fact is not the reason for my title. In the meantime I have been busy, as always, and I thought I would show you my latest picture

In my latest cityscape painting "Lover's Bridge in Verona" I used a design technique which utilizes the Fibonacci sequence. The painting has dimensions which are 180cm x 80cm. By breaking up the width into two parts we get 50cm + 130cm with the height being 80cm, we get three consecutive Fibonacci numbers, 5, 8, 13